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Part mystical phone sex, part lecture and part splatter-holy-communion-cum-interactive-experience, Versace Antichrist stages an infamous retelling of the Nativity with a surreal, camp, irreverent and grotesque representation.

Merging drag, live art, cabaret and participatory performance, this piece investigates constructions of femininity and the policing of queer and trans subjectivities drawing from my own catholic upbringing in a small village in Italy.

Presented at: Duckie - The Royal Vauxall Tavern (2021), The Glory (2022), Temporary Autonomous Art (2021) and Tramshed (2020).

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